Here is a spontaneous drawing that I just created! I drew it with little conscious thought about process, standing rather far back from the paper and sketching freely in large strokes.
Recently I had bought a book, "Expressive Drawing" by Steven Aimone. It talks all about freeing up the creative source within oneself, and this little exercise that I did was based on the first exercise in the book.
While drawing, I thought about the year that it had been, and how I had lost my cat Clementine, and how soon now that I'd have to say, "That happened last year." I was also aware that my cat Bruce was watching me very closely, almost getting ready to pounce onto my drawing table! He found the gestural strokes of my arm to be very inviting.
The more that I paint and read about art, the more I realize that creativity, and not technique, is the essence of art. Of course I've always known this in my heart, but it takes a while for it to sink into the mind, when one is so busy trying to copy reality as it appears to us everyday. We must strive not to be limited by rules, expectations and the constraints put upon our eyes. As the great artist Paul Klee said, "Art does not reproduce the visible; rather, it makes visible."
I look forward to doing much more abstract work like this, in 2013!
"Improvisation #2"
Wax pastel on paper, 14" x 17".
Tuesday, December 25, 2012
Monday, December 24, 2012
Wednesday, December 19, 2012
Monday, December 10, 2012
Friday, December 7, 2012
Thursday, December 6, 2012
Monday, December 3, 2012
A second peek at the new one! :) Hopefully this layer of paint will dry overnight, and then I'll continue working on it.
I used Liquitex brand paint for the initial raw umber layer, as it dries really quickly, and allows me to proceed painting again almost right away. But when I start suggesting actual colors of the painting, as in this second stage, I use Golden brand's OPEN acrylics, which have a slower drying time. That way, blending colors will be easier!
I used Liquitex brand paint for the initial raw umber layer, as it dries really quickly, and allows me to proceed painting again almost right away. But when I start suggesting actual colors of the painting, as in this second stage, I use Golden brand's OPEN acrylics, which have a slower drying time. That way, blending colors will be easier!
Sunday, December 2, 2012
I just began a new painting! Here is the first stage. The only paint color here is raw umber.
Can you guess already what this will be a painting of? I'll give you two guesses:
1) Twenty chihuahuas getting belly rubs and special doggie treats.
2) A still life with fruit.
I guess it could go in either direction at this point!
Can you guess already what this will be a painting of? I'll give you two guesses:
1) Twenty chihuahuas getting belly rubs and special doggie treats.
2) A still life with fruit.
I guess it could go in either direction at this point!
Saturday, December 1, 2012
Friday, November 30, 2012
Tuesday, November 20, 2012
Time for something embarrassing! It's a picture of me, with my class from the third grade at Northlake Elementary School, in Garland, Texas. (I put a red circle around me)!
Either I'm wearing a ridiculous pair of red pants, or the girl in front of me is wearing Supergirl's cape. I can't tell which.
My teacher, Ms. Wilson, was very kind. She treated us all with respect, and never laughed about me wearing red pants.
Either I'm wearing a ridiculous pair of red pants, or the girl in front of me is wearing Supergirl's cape. I can't tell which.
My teacher, Ms. Wilson, was very kind. She treated us all with respect, and never laughed about me wearing red pants.
This is the start of a new acrylic painting! I'm using a heavily textured surface for this one.
I'll let this layer of paint dry, before moving on to the next layer.
Also, yesterday I applied for the ability to accept credit card payment, from clients interested in purchasing a painting. I think this will make things easier for everyone! I made this little sign, which I hope soon to display at my table at Rice's Market. :)
I'll let this layer of paint dry, before moving on to the next layer.
Also, yesterday I applied for the ability to accept credit card payment, from clients interested in purchasing a painting. I think this will make things easier for everyone! I made this little sign, which I hope soon to display at my table at Rice's Market. :)
Saturday, November 17, 2012
Tuesday, November 13, 2012
Here's the newest status on the oil painting!
All of my oil paint colors, with the exception of phthalo turquoise, are of the classical mineral type pigments. These pigments are known for becoming more gray when mixed with each other, their color intensity noticeably reduced. In particular, mixing titanium white with a mineral hue will create an opaque, flat and chalky color. If you compare this painting with my current acrylic picture (see yesterday's post), which uses a lot of intense modern pigments without white mixed in, you can see how dull the oil painting is in comparison.
It's useful to be aware of the differences between mineral and modern pigments, as depending on the effect you want, you can favor one type of pigment over the other, for a particular painting!
A lot of artists come to settle on a particular palette of colors, after much experimentation. But the more I play with color, the more value I see in having a large selection of colors available (although any one painting will rarely use more than about 12 colors). Most colors are manufactured with a real purpose in mind. When you consider all of the color bias possibilities (such as a violet blue vs. a greenish blue), plus the usefulness of having both an opaque and a transparent version of a color, your list of colors can get quite large! I like to build up my inventory just a little bit at a time. :)
All of my oil paint colors, with the exception of phthalo turquoise, are of the classical mineral type pigments. These pigments are known for becoming more gray when mixed with each other, their color intensity noticeably reduced. In particular, mixing titanium white with a mineral hue will create an opaque, flat and chalky color. If you compare this painting with my current acrylic picture (see yesterday's post), which uses a lot of intense modern pigments without white mixed in, you can see how dull the oil painting is in comparison.
It's useful to be aware of the differences between mineral and modern pigments, as depending on the effect you want, you can favor one type of pigment over the other, for a particular painting!
A lot of artists come to settle on a particular palette of colors, after much experimentation. But the more I play with color, the more value I see in having a large selection of colors available (although any one painting will rarely use more than about 12 colors). Most colors are manufactured with a real purpose in mind. When you consider all of the color bias possibilities (such as a violet blue vs. a greenish blue), plus the usefulness of having both an opaque and a transparent version of a color, your list of colors can get quite large! I like to build up my inventory just a little bit at a time. :)
Monday, November 12, 2012
Sunday, November 11, 2012
Saturday, November 10, 2012
I've put aside the Christmas painting for right now, and am working on a new fruit still life instead. The current status is shown below.
Also today I created a small color mixing chart. I wanted to experiment with some different brown paints that I have, mixing them with a few other random colors to see the results. The color chart helps to appreciate subtle differences in appearance. Just thought I'd show that as well! :)
Also today I created a small color mixing chart. I wanted to experiment with some different brown paints that I have, mixing them with a few other random colors to see the results. The color chart helps to appreciate subtle differences in appearance. Just thought I'd show that as well! :)
Sunday, October 28, 2012
Tuesday, October 16, 2012
Monday, October 15, 2012
This is a small abstract painting that I've created. It's called "The Result of the Experiment", in the spirit of my new efforts to work in abstraction. :) The main goal here was to get some color and texture going, while staying representational enough that the picture is simple to relate to.
Acrylic, pigmented india ink, wax pastel and molding paste on Masonite, 5" x 4".
Acrylic, pigmented india ink, wax pastel and molding paste on Masonite, 5" x 4".
Sunday, October 14, 2012
Saturday, October 13, 2012
Here's a new artwork! I wanted to create something in the spirit of a Paul Klee painting, and something to just have fun with. Klee painted pictures which were simple in their representational aspect, but which gave the eye plenty to look at in terms of texture and color.
Acrylic, wax pastel, and pigmented india ink on Masonite, 6" x 6".
Acrylic, wax pastel, and pigmented india ink on Masonite, 6" x 6".
Friday, October 12, 2012
Friday, October 5, 2012
Here is an update on the new still life painting!
A couple of the colors that I'm using, are Hansa Yellow Light, and Transparent Red Iron Oxide. These paints are transparent and help to produce some interesting color effects. They sort of seem to glow!
The orange uses Cadmium Yellow Medium and Cadmium Red Light. (The shadowy area includes some Transparent Red Iron Oxide). The Cadmiums are classic mineral colors, and are not transparent, but they do mix a very nice, clean orange color!
A couple of the colors that I'm using, are Hansa Yellow Light, and Transparent Red Iron Oxide. These paints are transparent and help to produce some interesting color effects. They sort of seem to glow!
The orange uses Cadmium Yellow Medium and Cadmium Red Light. (The shadowy area includes some Transparent Red Iron Oxide). The Cadmiums are classic mineral colors, and are not transparent, but they do mix a very nice, clean orange color!
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